"The difference between the font of 20% more

and the font of... Teriyaki / You tell me / How does it make you feel?"

Opening with an Ani DiFranco quote makes me feel better about asking a favor of you, dear readers. I'm making good progress on diluvium, and I've been reading the Sandman comics by Neil Gaiman for inspiration. Not for the mythic quality, but because the lettering is really, really well done. Each character has a font and a word bubble that really expresses the qualities of that character well. The Endless in particular just match well with their fonts (not that it's quite a font, since everything is hand-lettered, but you get the idea).

The major characters/concepts in diluvium are to have their own types. Making the decisions on which ones to use is both a matter of economy (I can't afford to go buying fonts just for this) and theme. I don't want to have to label each page with the name of the speaker, and using different fonts for each voice seems the best way to go about that. With that in mind, I'm asking for suggested fonts for the following qualities:

1. Someone who is uncertain of and rightly offended by the place given her in the world, therefore she laughs a little too meanly and too readily at that world. This character will eventually find a new place for herself, one that is self-directed instead of handed down.

2. Someone who charges ahead, at first in terms of a vision that means ignoring what's around, later in terms of immediate feelings at the expense of a lost vision. This character will eventually slow down enough to really observe both immediate surroundings and long-term vision.

3. A tentative pairing or compromise between 1 and 2.

4. An inhuman view of the world, translated for our benefit but ultimately on its own terms.

5. An all-too-human view of the world, translated for our benefit but ultimately on its own terms.

Suggestions? Should I show you fonts I have available to me for free?

Badass Typographic Illustrations

typographic illustration. Animated typography. Pairs a musician and a font to create portraits using song lyrics.

Bembo's Zoo. Animated typography. Forms animals out of the letters of their names. Thanks to Amy Earhart for this one.

Caroline Epp's Think Art Make Art. Static typography. Examples of student work.

Various examples in this blog post by Fran Payne.

Wordle.net

Just discovered this site by going blog-to-blog over lunch. You enter text, Wordle.net arranges it graphically. You have some control of the distribution, font, and color scheme. The size of each word is determined by its relative frequency within the overall text. Below are three ones I did up by copying and pasting the text of the McCain-Obama debate...

First attempt, totally random:



Tried playing with color here:



Added 200 or so iterations of the word "debate" to get it prominent:

Designing a Cover for an Intangible Album

A good-looking book has always appealed to me, as has good cover art on a CD or LP - though the font often appears to be an afterthought on many album covers. I really got the bug working at Cushing Memorial Library and Archives at Texas A&M. You don't understand how amazing solid typography can be until you've been able to flip through the Kelmscott Chaucer. I'm also fond of more creative typography, from calligraphic (there's some amazing work in Arabic and Chinese, whose alphabets lend themselves more readily to organic visuals) to graffiti.

For Arts & Crafts, I've been mulling over the cover concept about as long as I've had the album concept. I originally wanted some kind of art that would reflect the dual nature of the album. As a combination of poetry and essays, the visuals should combine two seemingly-opposed elements. This could be elemental, like fire and water, or conceptual, like old and new.

My first choice was to adapt a wallpaper created by rOmy over at customize.org. I wanted to crop the wallpaper to the correct size, orient the butterfly on the right half, and fill in the title in the upper left, just off the wing:



Conceptually, I was thinking something like art/nature as the binary. It was also just a striking image, and one that would show up well on an iPod (more on this later). Unfortunately (or fortunately), I haven't been able to get hold of the artist to get permission.

I realized that for this project, unlike the jacket I did for my chapbook Riff Raff, I should rely on my own work. The next attempt was to split the cover into halves:



My wife quickly pointed out that the blurry photo on the right looked bad, and she was right. Back to the drawing board... Which of course was part of the problem. I'm not a great drawer. I can't paint or even sketch very well. Photography, sometimes. But I'd been swimming upstream in my attempt to emphasize a picture as the visual. Why not place the emphasis on the words?

I tried out a free layout program called Scribus, which allowed me to get a good look at the text (it is superior, in this aspect, to the GIMP, a free image-editing program). Taking some inspiration from excellent books by presses like Kelmscott and Unicorn and from broadsides and posters at deviantart, I came up with a simple block, 2cm smaller on each side than a CD case. By using the track listing as a visual element, I could fill the space with words in a pleasing manner.

This last bit, the track listing, led me to a realization. I'd been working on a back cover and an insert so that readers/listeners could "roll their own" CD, as it were, a DIY cover set. However, this isn't a CD. It's an album, a discrete set of tracks to be listened to in a particular order (at least in certain cases). It's going to be distributed for free over the internet. I'm including in the mp3 tags certain information, such as which track is which, lyrics (for the poems), and so forth. If you load up the tracks in Amarok, iTunes, Winamp, Windows Media Player, or whatever, they'll automatically show up in the right order. No need for a track listing or table of contents. No need for an insert, at least with Amarok or iTunes, as the lyrics are contained within the file itself.

The dualism I was going for, then, is partly present in the contrast between a traditional concept (the track listing/table of contents) and the fact that such a thing is not necessary for the medium in which I'm distributing. The cover of the album looks good, and I think it will remain good-looking (meaning both that it will be aesthetically pleasing and that it will stand out from other album covers) in a very small format, such as on an iPod or Zune. If it's close to anything out there as far as album art, I'd compare it to something like Paul Simon's Graceland. But, like the capital Fs in my name, it's very much a surface game. There's a little depth, otherwise I couldn't have written this entry. I suppose I could go on in more detail, developing the theoretical basis behind the cover. But for most people looking at it, it will simply be a little paradoxical.

Of course, I may, now that I have a template developed, write up a PDF "booklet" to accompany the album. I'm also halfway tempted to blow the image up to around 20" by 20". I think it would make a nice broadside/poster. Thoughts?