If you're interested in a varied and ongoing conversation about the validity of criticism in a populist venue (read: poetry slams), white privilege, and victimization, start off
here and
here, then go friend Sonya Renee Taylor on Facebook and read her response to the second post
here, then read Megan's third post
here, then read Megan's response to everything
here.
High points: A number of thoughtful considerations of how race is interwoven, even subconsciously, with our conceptions of what constitutes effective art. A number of thoughtful considerations of the place of victimization as a tool to either increase awareness and thereby try to end it or propagate it for shock value.
Low points: A wish for no more poems about race/rape/lesbians. A suggestion that physical violence is an appropriate response to a strong critique.